David has experience managing successful fundraising, and assisting marketing, campaigns for arts organizations around the country such as the Glimmerglass Festival, Sarasota Opera, North Carolina Opera, Fort Worth Opera, and the Orlando Philharmonic Orchestra.
He regularly is a guest lecturer on the business of opera, and was invited to serve as a guest speaker at the 2012 Opera America Conference, the annual conference of administrative professionals from opera companies nationwide.
Prior to his arts administration career, Walker had an 18 year international singing career, performing with some of the most prestigious opera houses in the world including the Metropolitan Opera, the Lyric Opera of Chicago, and the Bayerische Staatsoper (Munich).
He holds a Bachelor of Arts in Industrial Engineering, a Master of Music in Vocal Performance, and a Master of Arts in Arts Administration and a Master of Business Administration, both with an Arts Administration focus.
Palm Beach Opera Chief Conductor David Stern’s musical leadership is spread across three continents. He is the founder and director of the Paris-based opera company and period-instrument ensemble, Opera Fuoco, as well as artistic advisor and principal conductor of the Shanghai Baroque Festival and music director of opera at the Crested Butte Music Festival in Colorado.
Stern is known for his extensive range of repertoire. In his time as music director of the Israel and the St. Gallen Opera houses, he championed 18th century opera and eclectic works such as Simone Mayr’s Medea, Berg’s Wozzeck, Britten’s Turn of the Screw and Weill’s Mahagonny. He has premiered four new operas since 2010 – Gil Shohat’s The Child Dreams at the Israel Opera, Nicolas Bacri’s Così fanciulli, commissioned by Opera Fuoco and performed at the Théâtre des Champs-Élysées in Paris, Ben Moore’s Enemies, A Love Story in Palm Beach and Jan Sandström’s The Rococo Machine in Drottningholm, Sweden in June 2016.
Stern has enjoyed collaborations with many international stage directors. Stern is a frequent guest around the globe with symphonic and chamber orchestras. He is regularly invited to the Vienna Chamber Orchestra, the Swedish Chamber Orchestra, the Shanghai and Guangzhou Symphonies, the China Philharmonic, the New Russian Symphony, the National Orchestra of Mexico, and has had recent appearances with the Vienna Symphony and the Hong Kong Philharmonic.
Since launching the Aix Festival Academy in 1998, David Stern has been committed to developing young voices. He created Opera Fuoco in 2003 as a platform to train young French singers in repertoire ranging from Monteverdi to John Cage, combining both an opera studio offering regular master classes and an opera company producing and co-producing larger concertante and staged productions. As artistic advisor of the Shanghai Baroque Festival, he involves singers from the Shanghai Conservatory and the Opera Fuoco Studio, and he works regularly with the Young Artist Programs in Palm Beach and Crested Butte, Colorado.
Stern received his Bachelor of Arts from Yale and his Masters of Music from the Juilliard School. He resides in Paris with his wife and two daughters.
As Palm Beach Opera’s new Director of Artistic Administration, James Barbato oversees the company’s artistic planning and casting, manages all artistic personnel, and directs the Benenson Young Artist and Bailey Apprentice Artist Programs.
He joined Palm Beach Opera in 2015, serving for the past several years as Assistant Director of Artistic Operations. In that capacity, he was responsible for creating the daily and long-range artistic schedules, coordinating all artistic and production contracting, securing visas for international artists, managing housing and travel for all visiting personnel, and leading artist hospitality initiatives. He also played a key leadership role in the management and growth of the Young Artist and Apprentice Artist Programs, including development of the curriculum, recruiting and selecting singers and faculty, and restructuring the audition process which directly led to a 600% increase in annual applicants. Other major accomplishments include establishing a long-term hotel agreement with the Residence Inn Downtown CityPlace, and creating National Anthem partnerships with the International Polo Club and the FITTEAM Ballpark of the Palm Beaches to provide a showcase for the company in front of thousands of people each season.
Concurrently with his position at Palm Beach Opera, he also served for four seasons as Assistant Director of the Rehearsal Department at The Santa Fe Opera, the largest summer opera festival in the United States, where he managed a daily schedule that encompasses five mainstage productions each season and the training activities of the renowned 40-singer Apprentice Artist Program.
Prior to focusing on the administrative side of the industry, he built his knowledge of opera by performing professionally as a tenor and studying with many of the industry’s leading voice teachers and coaches. He earned his Bachelor’s and Master’s degrees from the Eastman School of Music, and continued his training as a member of the Boston University Opera Institute, where he was awarded a Performance Certificate. His career progressed through several distinguished Young Artist programs, including those at Florida Grand Opera and Central City Opera, while he gained onstage experience with roles in over 25 productions. From the traditional repertoire, he was an accomplished singer of Mozart’s principal tenor roles, and he also had the unique privilege of working directly with many prominent American composers in productions of their own works, including Tobias Picker, William Bolcom, Robert Ward, Jorge Martín, and Carlisle Floyd.
Beyond his credits in opera, he has extensive concert experience in chamber music, art song, and oratorio. He was twice a Fellow at the Tanglewood Music Center, and he performed in residencies with the Aldeburgh Festival’s Britten-Pears Programme, the Festival d’Aix-en-Provence Académie européenne, and the Marlboro Music Festival. Among his recital appearances, most notable were his five-year collaboration as a guest of Cornell University’s Historical Performance program, where he annually performed song cycles of Schubert and Schumann with fortepianists Sezi Seskir and Malcolm Bilson. He was also a guest recitalist at Rutgers University for the Schumann Bicentennial, and he was honored to make three appearances on the monumental Schubert & Co. recital series – an endeavor held in New York which collectively presented Schubert’s complete solo Lieder in 35 concerts over eight months. As a concert soloist, he performed Mozart’s Requiem, Coronation Mass, and Mass in C minor, as well as Beethoven’s Choral Fantasy, Haydn’s Lord Nelson Mass, and Handel’s Messiah, and he has been featured in Bach Cantatas with Boston’s Trinity Church at Copley Square, New York’s Church of the Transfiguration, and Palm Beach’s Royal Poinciana Chapel. Further career highlights include his Tanglewood debut as soloist in Stravinsky’s Les Noces conducted by Charles Dutoit.
In addition to his musical training, Mr. Barbato is a Phi Beta Kappa graduate of the University of Rochester, having earned a Bachelor of Arts summa cum laude in Economics.
561.833.7888 (main) | 561.835.7552 (direct)
Jeff Bruckerhoff brings over two decades of production experience gathered from work with companies as far flung as Montevideo, Uruguay to Tokyo, Japan and nearly everywhere in between. Following an early career in theater consulting for Schuler and Shook in Chicago, recent work has been concentrated on lighting design for opera and ballet with companies including The Washington Ballet, San Francisco Opera, The Kennedy Center, Washington National Opera, Suzanne Farrell Ballet, and Tulsa Opera. Additionally Jeff has taught lighting at the University of Illinois and Northwestern’s Cherub program, and worked as director of production and resident designer for Roosevelt University. Recently he has taken on the managing director role for The Vermont Opera Project – a new summer event based in central Vermont.
561.833.7888 (main) | 561.835.7547 (direct)
Andrew Todd maintains a diverse career as a non-profit administrator and performer. Over the past 13 years, Andrew has held executive positions at Aspen Public Radio and the Grand Teton Music Festival in Jackson Hole, WY. At both organizations, he led efforts that expanded programming, increased audience, and augmented fundraising. As a classical pianist, he performs regularly as a soloist and chamber musician throughout the United States. He holds degrees from Northwestern University, Mannes College of Music, and a doctoral degree from University of Colorado. He is the proud father of Jake Todd who attends Oberlin College and Conservatory. In his free time, Andrew enjoys trail running, fly fishing, and doing just about anything outdoors.
As the Senior Individual Giving Manager, Alexandra is responsible for the annual fund, individual giving, and foundation grants efforts for the opera. Prior to this position she worked at the American Heart Association in New York City where she managed the major gifts program. Born and raised in Palm Beach County, Alexandra has recently returned to the West Palm Beach area in order to work in the community she appreciates so much and be near her family. Alexandra has a background in classical piano and ballet and has a deep appreciation for all of the performing arts. Alexandra graduated summa cum laude with a degree in Public Relations and minor in Art History from the University of Florida.
561.833.7888 (main) | 561.835.7576 (direct)
Jennifer Siesel is the Special Events & Corporate Relations Manager which is part of the Institutional Advancement Department. She is responsible for managing all company special events, as well as cultivating and generating corporate support or underwriting for all events and programs. This position works in close collaboration with all members of the Institutional Advancement team, the General Director, and Board Members. Essential duties and responsibilities include managing all aspects of company special events, increase underwriting and sponsorships for all special events (i.e. Gala, Co-Producer Society Dinners Opening Night Dinners, Board of Directors function, etc.) as well as PBO’s overall programs and productions by securing new corporate partners, etc.
Jennifer’s affection for the arts began enjoying productions at Lincoln Center for the Performing Arts in New York City including the Metropolitan Opera House and the American Ballet Theatre. She also enjoyed experiencing musical theater on Broadway in New York City. Jennifer loves to sing and started taking voice lessons from a college professor in middle school. Dedicated to making a difference in the community, she has worked for large non-profit organizations including the American Cancer Society and the Alzheimer’s Association. She has helped to raise much needed funds for research, care, and support.
Jennifer earned a bachelor’s degree in management with a concentration in marketing from Binghamton University’s School of Management in Binghamton, New York. In addition, Jennifer has a designation as a Certified Meeting Professional (CMP). Jennifer loves the arts and education. It is a joy for her to share the wonderful works at the Palm Beach Opera with our residents and visitors to South Florida.
561.833.7888 (main) | 561.835.7557 (direct)
As the Marketing & Communications Manager, Adina manages marketing, communications, and promotion efforts, as well as Palm Beach Opera’s Young Friends program. A South Florida native, she has experience in digital marketing, sales, and public relations, as well as a background in theater, competing as a Florida State Thespian and appearing in several Florida State University films. She earned her Bachelor of Arts degree in Communications from Florida State University and completed a culinary arts program at Università degli studi di Firenze in Florence, Italy.
561.833.7888 (main) | 561.835.7575 (direct)
From the classroom to the stage to neighborhoods in between, Dr. Kevin Eberle-Noel has spent his entire career in service to the arts. After teaching for several years in the Southwest, Kevin pivoted to creating exceptional programs for students, teachers, and families as an arts administrator. Prior to joining the team at Palm Beach Opera, Kevin served as the Director of Operations & Education at the Las Vegas Philharmonic where he successfully designed and implemented various educational and community programs in addition to managing the artistic and operational activities of the orchestra. Prior to LVP, Kevin ran education programs and served as Patron Services Manager with the Redlands Symphony in Southern California.
Kevin has a Bachelor of Music Education and Master of Music, both from the University of Redlands. In 2016, Kevin was the first person to receive the Doctor of Musical Arts degree in Bassoon Performance from the University of Nevada, Las Vegas. A professional bassoonist in addition to a professional arts administrator, Kevin has played with the Redlands Symphony, the Las Vegas Philharmonic, Scottsdale Arts Orchestra, Inland Valley Symphony and Opera, as well for named acts on the Las Vegas Strip, including Placido Domingo and Weird Al Yankovic.
Jennifer joined PBO in the beginning of fall in 2008 as our Box Office Systems Administrator and in 2014. Jennifer’s responsibilities include database management, ticketing management and reporting, customer service, and ticketing sales. Jennifer has over 15 years experience in providing excellent customer service and management . In 2000 Jennifer worked as a contractor for FPL (Florida Power & Light) as a mapping system software analyst for repairs and plant placement. This software is currently used in all FPL utility vehicles to locate and repair outages. Jennifer relocated in 2003 to Naples, Florida and worked in the real estate field as an executive assistant to two successful broker/owners of Florida Home Realty. Along with assisting the brokers, Jennifer managed an office of 10 employees and assisted over 80 realtors in getting started in their new real estate ventures from ordering business cards, inputting listings, to disbursing commission checks. Jennifer relocated back to West Palm Beach in the Summer of 2008.
561.833.7888 (main) | 561.835.7556 (direct)
As Office Manager, Stephanie assists the Director of Finance and Administration, and provides administrative support to the Palm Beach Opera team.
Prior to this position, Stephanie was the Business Manager for the Palm Beach County Food Bank, where she was responsible managing all finance, administration, and human resources for the company.
Stephanie graduated from Mount Ida College in Newton, MA., and holds a Bachelor of Science degree in Interior Design. Originally from Vermont, Stephanie relocated to Florida in 2012.
561.833.7888 (main) | 561.835.7560 (direct)
Sarah Schultz is a vocalist, arts administrator, and creative producer. As Artistic Coordinator, Sarah creates the daily and long-range artistic schedules; administers all artistic and production contracts; secures international artist visas; and manages housing, travel, and hospitality initiatives for visiting personnel.
Prior to joining the Palm Beach Opera team, Sarah spent two seasons as an Artist Liaison at the Aspen Music Festival, arranging travel, rehearsal schedules, and day-to-day logistics for over 100 visiting guest artists and guest artist faculty. While completing her graduate degree, Sarah interned in the General Manager’s office at the Metropolitan Opera and at NYC-based Alliance Artist Management.
An accomplished soprano, Sarah’s repertoire spans from early music to contemporary improvisation. In 2019, Sarah launched The Musing, a podcast and digital media project that explores gender bias in the music industry. She holds an M.A. in Arts Management from The New School and a B.M. in Voice from the Manhattan School of Music.
561.833.7888 (main) | 561.835.7553 (direct)
As Palm Beach Opera’s Audience Services Associate, Lylliette works daily to help maintain database management, run reports, process ticket sales and provide customer service. During the 2018/19 season she worked as PBO’s artistic and production assistant; her responsibilities included, but weren’t limited to, production center upkeep, chorus payroll, monthly departmental expense reports, database updates and artist hospitality.
Prior to her position with Palm Beach Opera, Lylliette worked with Florida International University as a technical director for all theater space rentals. Her passion for the arts always playing a role, as she also enjoys teaching kids theater and continues to free-lance in technical theater work through-out south Florida.
561.833.7888 (main) | 561.835.7555 (direct)
Ann Baskind has been with Palm Beach Opera for 15 years. After starting as a Box Office Associate and becoming Box Office Manager, she is currently the Patron Relations Liaison working with donors and doing special events. Ann is also the Palm Beach Opera Guild Liaison. Born in New York City, she is a graduate of the University of Connecticut. Ann is the one of founders and treasurer of Ru4me Pet Rescue, a no-kill animal rescue group in Boynton Beach.
561.833.7888 (main) | 561.835.7569 (direct)
Sponsored by Judy & Jerry Kaufman
A versatile musician on the podium and at the keyboard, conductor Gregory Ritchey has held positions with companies both in the US and internationally including the Wexford Opera Festival, Palm Beach Opera, the Amalfi Coast Music Festival and Opera Theatre of Saint Louis. Most notably in recent seasons, he has conducted productions of Le nozze di Figaro, Così fan tutte, The Turn of the Screw, Gianni Schicchi, Ariadne auf Naxos, and a workshop of Terence Blanchard’s opera, Champion. As the newly appointed Music Director of Gulfshore Opera, he has led performances of Madama Butterfly and Rigoletto, returning this season to conduct Don Pasquale and La traviata. He has also been for several years Associate Conductor at Palm Beach Opera, where after a recent performance on the Waterfront Concert series, for which he served as conductor and Music Director, the Palm Beach Arts Paper noted, “Mr. Ritchey is to be congratulated for leading such massive forces in a splendid and stirring performance. The audience rose to their feet with acclaim.” During his time at PBO he has also been Chorus Master for more than thirty-five productions.
A graduate of the Juilliard School of Music, Mr. Ritchey maintains an active chamber music, collaborative and solo piano career, performing throughout the United States and Europe. In a recent recital at the Wexford Festival, Opera News noted that Mr. Ritchey “partnered superbly at the piano.” Mr. Ritchey has previously held music staff positions with companies across the U.S. including the Dallas Opera, Central City Opera, Des Moines Metro Opera, Bard Music Festival, Virginia Opera, and Sarasota Opera. He has also been a faculty member at the University of North Texas, Louisiana State University, and Texas Christian University. In addition to the MM degree from the Juilliard School of Music, he also earned a BM degree from the University of North Texas.
Heralded as the “…embodiment of classical clarity” (Minnesota Star Tribune), Aaron Breid is rapidly garnering acclaim as an operatic and symphonic conductor. His precise and passionate leadership have distinguished him as a sought-after guest conductor and an integral collaborator on large scale opera productions.
Highlights among recent guest conductor engagements include Virginia Symphony (Symphony Under the Stars), Opera Santa Barbara (Roméo et Juliette), Omaha Symphony (Music Mentors), Minnesota Opera (Resident Artist Program 20th Anniversary Concert), and Orchestra Seattle/Seattle Chamber Singers (Scheherazade).
Currently in his third season as Cover Conductor for Washington National Opera, Breid will return in 2020 to cover Saint-Saëns’ Samson et Dalila. Known for his contributions to the German and French grand repertoire, he has recently covered performances of Wozzeck (Des Moines Metro Opera), Faust (Washington National Opera), Samson et Dalila (North Carolina Opera), Arabella (Minnesota Opera), Elektra (Des Moines Metro Opera), Der Freischütz (Virginia Opera), and will return to North Carolina Opera for Siegfried Act III in concert (2019).
Breid has stepped in to conduct more than a dozen performances of Turandot, Carmen, Il trovatore, Gianni Schicchi, Suor Angelica, Il barbiere di Siviglia, Così fan tutte, and The Ballad of Baby Doe with Minnesota Opera, Central City Opera, Opera Santa Barbara, Opera Omaha, and Virginia Opera.
Past seasons have seen Breid collaborate on productions with San Francisco Opera’s Merola Opera Program, St. Paul Chamber Orchestra, Charlotte Symphony, Sarasota Opera, Brevard Music Festival; symphony highlights include performances with Rochester Philharmonic Orchestra, Ithaca College Orchestra, Heartland Philharmonic, UNO Chamber Orchestra, Ocala Symphony, Golden Valley Symphony, and Edina Chorale and Orchestra.
Ksenia Lelëtkina recently received her Doctor of Musical Arts degree at the Eastman School of Music, where she now serves as coach for Eastman Opera Theatre and also teaches courses in Russian. In January of 2015, Ksenia was the Musical Director for the highly successful double bill of Menotti’s The Old Maid and theThief and Poulenc’s La voix humaine for Eastman Opera Theatre, and in January 2016, she will lead that organization’s double bill of Puccini’s Suor Angelica and Giordano’s Il mese Mariano.
Dr. Lelëtkina is an active promoter of Russian music and has just co-authored a book on Russian diction for singers, RUSSIAN AS THEY SING IT, with Benton Hess.
She has appeared as soloist with the Pacific Symphony Orchestra, AmerKlavier Festival in Chicago, Skokie Valley Symphony Orchestra, the Grand Valley State University Orchestra and the chamber orchestra at the Grand Rapids Bach Festival. She has won prizes in competitions such as the Minnesota Symphony Orchestra Concerto Competition and the International Competition for Young Musicians in Russia.
An avid performer of new music, Ksenia has premiered works by composers including Erden Bilgen, Robert Bradshaw, Tom Davis, Eric Morales, and Jim Stephenson to name just a few, and as a collaborative pianist, Ms. Lelëtkina has partnered with a wide variety of musicians including Allen Vizutti, Jens Lindemann, Rex Richardson, Vince DiMartino, Dylana Jensen and many others. She made her recording debut on A Mild Fantasie (released in 2009 by Albany Records), featuring trumpeter Richard Stoelzel.
Ben Malensek recently completed his 32nd season on the music staff of Opera Theatre of St. Louis where he is Principal Coach/English Diction Specialist. He was Head of Music Staff at Dallas Opera for eleven seasons in addition to working at The Metropolitan Opera, San Francisco Opera, Canadian Opera Company, New York City Opera, Washington National Opera and Wolf Trap Opera. In Europe he was a member of the Zurich Opera Internationales Opern Studio. International artists with whom he has collaborated include Neil Shicoff, Samuel Ramey, Frederica Von Stade, Ileana Cotrubas, Paul Groves, Carol Vaness, Stephen Costello, Ailyn Perez, Isabel Leonard, Raymond Aceto, and Adrianne Pieczonka, Morris Robinson, and Luca Pisaroni. Ben is often called upon to judge The Metropolitan Opera National Council Auditions, and has worked with apprentice artists at The Santa Fe Opera, Central City Opera, Chautauqua Institute, The Banff Festival, The Castleton Festival and San Francisco Opera’s Merola Program, as well as serving on the faculty of The Curtis Institute of Music in Philadelphia. He studied vocal coaching with Metropolitan Opera coach Alberta Masiello and has degrees from The University of Cincinnati College-Conservatory of Music and The Manhattan School of Music. Upcoming engagements include a return to Palm Beach Opera as Master Vocal Coach of the Benenson Young Artist and Bailey Apprentice Artist Programs.
Abbey serves as a Vocal Consultant for A.W. Dreyfoos School of the Arts where she has the pleasure of teaching and mentoring gifted high school students. Previously Palm Beach Opera’s Education and Community Engagement Associate, Abbey assisted in the implementation of diverse, creative programming and was awarded the 2019 Randolph A. Frank Prize for the Performing Arts for her work in the community. A recent member of Opera America’s Teaching Artist Training Taskforce, Abbey presented at the 2019 Opera America Conference in San
Abbey received her Master of Music degree from Manhattan School of Music and holds a Bachelor of Music degree from Wheaton College Conservatory, IL. Abbey currently resides in Juno Beach, FL with her husband and new baby boy, Jack.
Jennifer Wilson is a Teaching Artist with Palm Beach Opera. She participates in many outreach programs including Opera: Our Story, Story Time Series, and the Interability Chorus in partnership with the Els Center for Excellence. In addition, she serves as a mentor and voice teacher for Palm Beach Opera Studio.
As a member of the Palm Beach Opera chorus, Jennifer has appeared in many productions including Turandot, Le Nozze di Figaro, Don Giovanni, Candide, Tosca, Don Pasquale and The Pirates of Penzance. She has also worked as a chorister for Florida Grand Opera. A native of St. Louis, Jennifer earned her Bachelor’s degree in Vocal Performance from DePauw University in Indiana and her Master’s Degree from the New England Conservatory in Boston. She has attended many young artist programs, including Miami Music Festival, OperaWorks, Taos Opera Institute, and Pittsburgh Festival Opera.
Lyric Tenor, Matthew Bischoff, is a native of South Florida who received a Master of Music Degree in vocal performance and pedagogy from the University of Southern Mississippi, and a Bachelor of Music Degree from the University of Florida. While at Southern Mississippi, Bischoff made his professional debut with Mississippi Opera as the Sacristan in their production of Puccini’s Tosca in 2015. Mr. Bischoff is a member of the Gulfshore Tenors, and made his debut with Guflshore Opera as Gaston in their production of La Traviata in 2019. Bischoff’s other professional credits include Palm Beach Opera Chorus, Chatham Opera, Natchez Festival of Music, Mississippi Symphony, Opera Fusion’s Emerging Young Artists program, and Orchestra Miami. Matthew has taught music at the Bak Middle School of the Arts as well as St. Mark’s Episcopal School.
Michelle Violet Struhar, soprano, has sung operatic roles and concerts in houses throughout the United States and Europe. Michelle is a vocal soloist at the historic Royal Poinciana Chapel in Palm Beach, and serves as the vocal soloist for the official military band of Florida, the 13th Army Band of the National Guard. With the band, she has sung at several gubernatorial inaugurations, as well as events throughout the state, such as performances at the Daytona 500, Sea World, Hollywood Beach, Shades of Green at Disney World, and the 4th on Flagler celebration. Michelle is also regularly requested to sing for games and events hosted by the Miami Dolphins, Miami Heat, and Miami Marlins organizations. As a graduate of Carnegie Mellon University (BFA) and Manhattan School of Music (MM), Michelle also has extensive teaching experience in both private and classroom settings, and is thrilled to be a part of the Interability chorus with Palm Beach Opera. When not traveling, singing, and teaching, Michelle resides in Port St. Lucie, FL with her husband and daughters.
Jason returns for his fifth season as Technical Director for the Palm Beach Opera. He has worked in corporate and commercial entertainment for 24 years, including national Broadway tours, symphonies, TV shows and movies. He has collaborated with such opera companies as Des Moines Metro Opera, Florida Grand Opera, Lyric Opera of Kansas City, Atlanta Opera, Ft. Worth Opera, and Paper Moon Opera Productions to name a few. Jason is currently the Production Manager for Opera Saratoga and the Stage Manager for the Palm Beach Symphony when he is not working with the Palm Beach Opera.
Bryce Bullock is returning to Palm Beach Opera in his second year as Production Stage Manager. He has stage managed and assist stage managed across the country for Florida Grand Opera, Central City Opera, Opera Tampa, Opera Naples, Miami Music Festival, SoBe Arts, Opera Santa Barbara, Music Academy of the West, El Paso Opera, Opera Pacific, Opera New Jersey and other companies. A highlight of his career was stage managing the first opera presented in the Kingdom of Bhutan, which brought together artists from five continents and blended traditional Bhutanese song and dance with baroque opera in Acis and Galatea.